There was an Empire of the Sun at Outside Lands – but not much sunlight.
On Sunday, Golden Gate Park cycled through classic San Francisco summer conditions: clouds, intermittent sunshine and temperatures lingering above 60 degrees before the evening chill settled in. For attendees, music festivals double as a fashion contest – but at Outside Lands, getting dressed was less about committing to one aesthetic than figuring out how to express individuality without sacrificing comfort to the Bay Area weather.
This tension made Outside Lands’ fashion feel distinct from the polished uniformity associated with festivals such as Coachella. The resulting outfits borrowed from festival fashion’s biggest trends – boho, Western and rave attire – but none dominated the event. Instead, attendees layered microshorts with tights, paired denim with fringe and adorned themselves in boots and jewelry as both practical and aesthetic additions. Festival aesthetics became something more personal, layered and unpredictable. In a festival culture that increasingly obsesses over the perfect look, Outside Lands offers a more amorphous aesthetic.
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The distinction was clearest in the accessories. When tiny crochet tops can’t carry an outfit through a chilly evening, statement sunglasses, hats, jewelry, belts and pashminas did the heavy lifting. Hats in particular were ubiquitous in every shape, color and style. Festival attendees could be found wearing baseball caps, beanies, faux fur hats, knit caps and novelty hats shaped like various fruits and animals. Of course, plenty of festivalgoers also wrapped their heads in the classic bandanas and scarves. In a festival where layers were constantly being added and removed, accessories became the easiest way to maintain individuality.
Attendees were able to personalize relatively functional outfits with a unique body chain or pair of Miu Miu shades. The cold could not eliminate experimentation. Rather it changed how experimentation could occur.
Also dictated by the environment was the footwear. Boots seemed to be Sunday’s official shoe, appearing in every variation imaginable. Attendees wore ankle boots, knee-high boots, suede boots, fringe-lined boots and studded boots all in shades of brown, black and tan. Most boot-wearers opted for a flat or low-heeled shoe, a sensible choice for a long day of walking to and from Outside Lands’ seven stages on the park’s grass. The prevalence of boots reflected the festival’s larger fashion philosophy: Style mattered, but so did surviving the day.
Fringe was a major motif in the festival’s fashion, appearing on jackets, boots, trousers, shorts and even many of the small bags allowed to enter the festival grounds. This Western embellishment naturally appeared alongside another obvious trend, which was denim. The pairing made sense for an environment where attendees wanted outfits that felt intentional without being unsuitable for the weather.

The popularity of denim also highlighted one of the key differences between Outside Lands and other festivals. While a pair of Levi’s 501s may be considered “too casual” for Coachella, full-length jeans – boot-cut, straight and wide legged, flared and baggy – did not look out of place at Outside Lands, which overall embraced a more laidback aesthetic. Denim offered warmth without making festivalgoers sacrifice style or the flexibility to dance to Disco Lines’ “No Broke Boys.”
Even with the dropping temperatures, micro shorts and mini skirts were among the most popular bottoms. Many attendees went for the “tiny bottoms, big top” look, pairing their shorts and skirts with oversized outerwear such as ponchos, bombers, suede and leather jackets, and most commonly, jean jackets.
That middle ground allowed festivalgoers to both show some skin and participate in the micro-shorts trend without being left shivering at the end of the day.
Others took a more sheer and delicate approach to layering using lace, which appeared on skirts, kimono tops and overlays on top of patterned bralettes. Rather than wearing these pieces alone, attendees incorporated traditionally delicate festival staples into a layered outfit for changing temperatures. Fishnets and tights also proved popular for adding texture and warmth under shorts and skirts without obscuring the outfit on top.
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Another festival staple, animal prints, also made frequent appearances in Sunday’s outfit pantheon. Leopard, cow and zebra prints in particular showed up on headwear, bags and every category of clothing. Maximalists leveled their outfits up with fuzzy hats and faux fur-trimmed coats. These louder patterns reinforced the idea that playfulness could exist among otherwise practical outfits, underscoring how functionality did not have to mean uniformity.
The lack of a single visual identity is largely due to the fact that the San Francisco weather makes a singular festival aesthetic nearly impossible to achieve, as each individual adapted to the cold in a different way. The park’s location leaves it exposed to the Pacific marine layer and afternoon winds which do not reward the typical bikinis and cropped tops quite like Coachella Valley’s April warmth. Outside Lands attendees still wore micro shorts, but they were much more likely to pair them with tights, a leather jacket or boots.
Rather than dressing to match a particular theme or aesthetic, attendees seemed to dress according to their personalities, pre-existing wardrobes and tolerance for the cold. The festival’s fashion is not as extravagant as Coachella’s, but the climate lends itself to a more low-pressure approach where a patterned jacket, pair of leather boots or unique jewelry stack can make an outfit without requiring an elaborate – or expensive – ensemble. Together, these trends created a festival aesthetic that was not defined by one specific style, but by the way attendees mixed and matched influences.
Outside Lands, proves that festival fashion does not have to sacrifice personality for practicality, or vice versa.
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