Monday, March 23

Pop-up review: Latrine reigns supreme at interactive event based on Amazon’s ‘Fairfax’

This post was updated Nov. 4 at 12:08 p.m. Attention all Hypebeasts – the Latrine store just dropped its latest collection. Amazon Prime’s latest animated television series centering on the social media and image-obsessed next generation, “Fairfax,” is opening a pop-up pulled straight from the screen. Read more...

Photo: Pulled straight from Amazon Prime’s new show “Fairfax,” The Latrine pop-up features a statue out front of a hype beast beekeeper in full decked out in branded gear. The space melds pop culture with the show’s plot line, centered around (Natalie Brown/Daily Bruin)




Art exhibit review: ‘There’s No Place Like No Place’ encodes language in colorful symbols

No color is left unused in alumnus Lindsay August-Salazar’s latest paintings. Shown in the exhibit “There’s No Place Like No Place” at Lowell Ryan Projects in Mid-City, six large abstract paintings hang in the sunlight-drenched downstairs gallery. Read more...

Photo: Alumnus and artist Lindsay August-Salazar’s exhibit “There’s No Place Like No Place” opened at Lowell Ryan Projects on Saturday. (Lauren Man/Daily Bruin senior staff)


Film review: Metatextuality meets memory in sequel film ‘Souvenir: Part II’

Memory is a souvenir captured in the mind’s eye. In the sequel to her 2019 film, “The Souvenir,” director Joanna Hogg mends the broken pieces that make up Julie (Honor Swinton Byrne) – her counterpart in the semi-biographical film duology – to create a whole. Read more...

Photo: Honor Swinton Byrne plays Julie in “The Souvenir: Part II.” (Courtesy of Josh Barrett)


Coterie Couture: Rave fashion embraces individualism through bold, eclectic styles

What someone wears speaks volumes about who they are as a person, and the same can be said for the styles associated with various movements and cultures. Read more...

Photo: Rave Wonderland offers vibrant looks for the modern day EDM and festival scene. The subculture was initially an underground space of social liberation and inclusivity, which eventually melded with electronic music and grew to what it is today. (Courtesy of Vinnie Rossiello)




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