An albino gorilla the size of a building tears through downtown while a pool-sized flying wolf glides between skyscrapers – how did an ordinary day become filled with monsters? Read more...
Photo: (Warner Bros. Pictures)
An albino gorilla the size of a building tears through downtown while a pool-sized flying wolf glides between skyscrapers – how did an ordinary day become filled with monsters? Read more...
Photo: (Warner Bros. Pictures)
“Blockers” is an embrace of female sexuality cleverly woven into a comedic film. Emphasizing social messages and laugh-out-loud jokes alike, the movie revolves around three high school girls who plan to lose their virginity on the night of their senior prom. Read more...
Photo: (Courtesy of Quantrell D. Colber/Universal Pictures)
A morally sound hit man smashes in the skulls of sex traffickers and spearheads Lynne Ramsay’s latest vigilante thriller, “You Were Never Really Here.” Directing the follow-up to her critically acclaimed 2011 psychological thriller “We Need to Talk About Kevin,” the Scottish filmmaker returns to the big screen with a bitingly visceral and visually captivating masterpiece in which Joe (Joaquin Phoenix), a traumatized Iraq War veteran, earns his living by rescuing children from the sex trade. Read more...
Photo: (courtesy of Alison Cohen Rosa, Amazon Studios)
Science is everywhere, especially in movies and TV shows, ranging from the chemistry in “Breaking Bad” to the physics in “Gravity.” But not all of the “science” is actually science. Read more...
NewFilmmakers Los Angeles has worked with emerging filmmakers that have gone on to shoot pilots for Disney Channel and Warner Bros. The LA-based nonprofit organization, which started in 2007, provides a platform for independent filmmakers from around the world to showcase their work, in the form of monthly film-screening festivals held at the South Park Center. Read more...
Photo: (Amy Dixon/Assistant Photo editor)
This year’s trending Oscars buzzword wasn’t #OscarsSoWhite – instead, everyone was talking about the inclusion rider. Frances McDormand ended her Best Actress acceptance speech at the Oscars with the term, referencing a provision actors and actresses can put in their contracts to stipulate specific representation standards for films that are proportionate to real-world population breakdowns. Read more...
Photo: (Claire Sun/Daily Bruin)
Audiences should go see “A Wrinkle in Time” with an open mind and a lot of patience. The adaptation of the classic sci-fi book is at times frustrating, simply because its narrative is so unconventional. Read more...
Photo: (Walt Disney Studios)