Sunday, November 15

Double Feature

Niels Mueller had nothing to do with his film being screened at AFI FEST. After premiering at this year’s Cannes Film Festival and securing nationwide release in January in addition to a Los Angeles release in late December (just in time for Oscar eligibility), “The Assassination of Richard Nixon” has bigger fish to fry. Read more...



Road trips deserve modern soundtracks

Exactly a week ago, I saw Alexander Payne’s “Sideways,” which opened with exceptionally rave reviews ““ mostly because it’s a great film, and partly because movie critics are old people who identify all too painfully with its themes of mid-life insecurities. Read more...


The Sorcerer

Unfortunately, Hermeto Pascoal, the father figure of Brazilian jazz, doesn’t speak any English. Could a translator’s words accurately convey his personality? They didn’t have to. The 68-year-old songwriter and multi-instrumentalist who Miles Davis once called “the world’s most impressive musician” can communicate better with music instead. Read more...


Writers to examine kinship of film, literature

Sofia Coppola’s “Lost in Translation” might not have been the ultimate victor in last year’s Oscar race for Best Picture, but it still managed to stand out for one unique reason: Both written and directed by Coppola, the film’s screenplay was the only one of its five fellow Best Picture nominees that was not based on a book. Read more...



Scripting screen success

After the ceremony for the 49th annual Samuel Goldwyn Writing Awards Competition on Nov. 1, UCLA has good reason to boast. Once more, one of its own won first place, as well as this year’s monetary prize of $15,000. Read more...