Sunday, February 22

Graduate student’s play to hit the stage with big impact from actors

Joe Samaniego used the rehearsals for his play as inspiration for the final characters he created. The MFA student said his interaction with both the play’s director Jeff Maynard and the actors led him to alter multiple parts of the script, including dialogue and character development. Read more...

Photo: Third-year theater student Kelsey Kato (left), Zachary Dushenko (center) and Jessie Guthrie (right) are a part of graduate student Joe Samaniego’s play “Me, Myself and the Apocalypse.” (Anthony Ismail/Daily Bruin)


Alumnus explores conflicted identity in first feature film, ‘The Price’

Anthony Onah’s latest feature film started out in a UCLA classroom. After moving to Los Angeles and enrolling in UCLA’s graduate production/directing program, alumnus Anthony Onah teamed up with fellow alumnus and producer Justin Begnaud to create the feature film “The Price.” The film revolves around the struggles of Seyi, a Nigerian-American man, who must navigate his family’s expectations, a turbulent romantic relationship and a desire to climb the career ladder of Wall Street. Read more...

Photo: Alumnus Anthony Onah premiered his feature film,”The Price,” at the South by Southwest Film Festival in 2017. The film is inspired by his own experiences as a first-generation Nigerian-American man. (Farida Saleh/Daily Bruin)



Album review: ‘reputation’

Taylor Swift’s “reputation” is more than just an album – it’s a story, and not the one listeners might expect. In what may be her most deliberate album yet, Swift interweaves two stories: her fall from grace in the public eye and a complex, difficult love story. Read more...

Photo: (courtesy of Big Machine Records)


Album review: ‘Phases’

Angel Olsen’s “Phases” sends listeners through cycles of love and longing set against hypnotizing guitar chords. At first listen, the album sounds like a random mix of songs without any rhyme or reason. Read more...

Photo: (courtesy of Jagjaguwar)



Second Take: “Crazy Rich Asians” casting raises questions on Asian identity, representation

“Crazy Rich Asians” is one of the few recent Hollywood films about Asians that doesn’t feature Matt Damon or Scarlett Johansson as the lead. Jokes aside, it is incredibly rare to see an American-studio produced, ensemble film about Asians that doesn’t feature a white actor – a feat that hasn’t happened since the 1993 film, “The Joy Luck Club.” But such a rare accomplishment is not without controversy, and the debate that “Crazy Rich Asians” sparked about its casting of British-Malaysian actor Henry Golding struck a chord with me as a biracial woman of Japanese and Italian descent. Read more...

Photo: (Hannah Burnett/Assistant Photo editor)